SKINNY LEGS AND ALL:

An Arab and a Jew open a restaurant together across the street from the United Nations....

It sounds like the beginning of an ethnic joke, but it's the axis around which spins this gutsy, fun-loving, and alarmingly provocative novel, in which a bean can philosophizes, a dessert spoon mystifies, a young waitress takes on the New York art world, and a rowdy redneck welder discovers the lost god of Palestine—while the illusions that obscure humanity's view of the true universe fall away, one by one, like Salome's veils.

Skinny Legs and All deals with today's most sensitive issues: race, politics, marriage, art, religion, money, and lust.  It weaves lyrically through what some call the "end days" of our planet.  Refusing to avert its gaze from the horrors of the apocalypse, it also refuses to let the alleged end of the world spoil its mood.  And its mood is defiantly upbeat.

In the gloriously inventive Tom Robbins style, here are characters, phrases, stories, and ideas that dance together on the page, wild and sexy, like Salome herself.  Or was it Jezebel?

When the stock market crashes on the Thursday before Easter, you—an ambitious, although ineffectual and not entirely ethical young broker—are convinced that you’re facing the Weekend from Hell. Before the market reopens on Monday, you’re going to have to scramble and scheme to cover your butt, but there’s no way you can anticipate the baffling disappearance of a 300-pound psychic, the fall from grace of a born-again monkey, or the intrusion in your life of a tattooed stranger intent on blowing your mind and most of your fuses. Over these fateful three days, you will be forced to confront everything from mysterious African rituals to legendary amphibians, from tarot-card bombshells to street violence, from your own sexuality to outer space. This is, after all, a Tom Robbins novel—and the author has never been in finer form.

From the Trade Paperback edition.

"Tom Robbins has a grasp on things that dazzles the brain and he's also a world-class storyteller."
—Thomas Pynchon

In Fierce Invalids Home From Hot Climates, his seventh and biggest novel, the wise, witty, always gutsy Tom Robbins brings onstage the most complex and compelling character he has ever created.

Switters is a contradiction for all seasons: an anarchist who works for the government, a pacifist who carries a gun, a vegetarian who sops up ham gravy, a cyberwhiz who hates computers, a robust bon vivant who can be as squeamish as any fop, a man who, though obsessed with the preservation of innocence, is aching to deflower his high-school-age stepsister (only to become equally enamored of a nun ten years his senior).

Yet there is nothing remotely wishy-washy about Switters. He doesn't merely pack a pistol. He is a pistol.

And as we dog Switters's strangely elevated heels across four continents, in and out of love and danger, Robbins explores, challenges, mocks, and celebrates virtually every major aspect of our mercurial era.

As many readers well know, to describe a Tom Robbins plot does not begin to describe a Tom Robbins novel. Moreover, the internationally acclaimed, best-selling author, with his love of language, nuance, and surprise, is as opposed to story summations as J.D. Salinger. It is revealing, however, to learn what things Robbins lists as having influenced the writing of Fierce Invalids:

"This book was inspired by an entry from Bruce Chatwin's journal, by a CIA agent I met in Southeast Asia, by the mystery surrounding the lost prophecy of the Virgin of Fatima, by the increasing evidence that the interplay of opposites is the engine that runs the universe, and by embroidered memories of old Terry and the Pirates comic books."

Robbins also has said that throughout the writing of Fierce Invalids Home From Hot Climates he was guided by the advice of Julia Child: "Learn to handle hot things. Keep your knives sharp. Above all, have a good time."

Perhaps that is why he has managed to write a provocative, rascally novel that takes no prisoners—and yet is upbeat, romantic, meaningful, adventurous, edifying, and fun.

Imagine that there are American MIAs who chose to remain missing after the Vietnam War.

Imagine that there is a family in which four generations of strong, alluring women have shared a mysterious connection to an outlandish figure from Japanese folklore.

Imagine just those things (don’t even try to imagine the love story) and you’ll have a foretaste of Tom Robbins’s eighth and perhaps most beautifully crafted novel—a work as timeless as myth yet as topical as the latest international threat.

On one level, this is a book about identity, masquerade and disguise—about “the false mustache of the world”—but neither the mists of Laos nor the smog of Bangkok, neither the overcast of Seattle nor the fog of San Francisco, neither the murk of the intelligence community nor the mummery of the circus can obscure the linguistic phosphor that illuminates the pages of Villa Incognito.

A female fan once wrote to Tom Robbins:
“Your books make me think, they make me laugh, they make me horny and they make me aware of the wonder of everything in life.”

Villa Incognito will surely arouse a similar response in many readers, for in its lusty, amusing way it both celebrates existence and challenges our ideas about it.

To say much more about a novel as fresh and surprising as Villa Incognito would run the risk of diluting the sheer fun of reading it. As his dedicated readers worldwide know full well, it’s best to climb aboard the Tom Robbins tilt-a-whirl, kiss preconceptions and sacred cows goodbye and simply enjoy the ride.

What did Harry Potter know about magic? He was stuck with the decidedly un-magical Dursleys, who hated him. He slept in a closet and ate their leftovers. But an owl messenger changes all that, with an invitation to attend the Hogwarts School for Wizards and Witches, where it turns out Harry is already famous.. . . Full color.

Whether we're buying a pair of jeans, ordering a cup of coffee, selecting a long-distance carrier, applying to college, choosing a doctor, or setting up a 401(k), everyday decisions — both big and small — have become increasingly complex due to the overwhelming abundance of choice with which we are presented.

As Americans, we assume that more choice means better options and greater satisfaction. But beware of excessive choice: choice overload can make you question the decisions you make before you even make them, it can set you up for unrealistically high expectations, and it can make you blame yourself for any and all failures. In the long run, this can lead to decision-making paralysis, anxiety, and perpetual stress. And, in a culture that tells us that there is no excuse for falling short of perfection when your options are limitless, too much choice can lead to clinical depression.

In The Paradox of Choice, Barry Schwartz explains at what point choice — the hallmark of individual freedom and self-determination that we so cherish — becomes detrimental to our psychological and emotional well-being. In accessible, engaging, and anecdotal prose, Schwartz shows how the dramatic explosion in choice — from the mundane to the profound challenges of balancing career, family, and individual needs — has paradoxically become a problem instead of a solution. Schwartz also shows how our obsession with choice encourages us to seek that which makes us feel worse.

By synthesizing current research in the social sciences, Schwartz makes the counter intuitive case that eliminating choices can greatly reduce the stress, anxiety, and busyness of our lives. He offers eleven practical steps on how to limit choices to a manageable number, have the discipline to focus on those that are important and ignore the rest, and ultimately derive greater satisfaction from the choices you have to make.

A gleeful and exhilarating tale of global conspiracy, complex code-breaking, high-tech data visualization, young love, rollicking adventure, and the secret to eternal life—mostly set in a hole-in-the-wall San Francisco bookstore

The Great Recession has shuffled Clay Jannon out of his life as a San Francisco Web-design drone—and serendipity, sheer curiosity, and the ability to climb a ladder like a monkey has landed him a new gig working the night shift at Mr. Penumbra’s 24-Hour Bookstore. But after just a few days on the job, Clay begins to realize that this store is even more curious than the name suggests. There are only a few customers, but they come in repeatedly and never seem to actually buy anything, instead “checking out” impossibly obscure volumes from strange corners of the store, all according to some elaborate, long-standing arrangement with the gnomic Mr. Penumbra. The store must be a front for something larger, Clay concludes, and soon he’s embarked on a complex analysis of the customers’ behavior and roped his friends into helping to figure out just what’s going on. But once they bring their findings to Mr. Penumbra, it turns out the secrets extend far outside the walls of the bookstore.

With irresistible brio and dazzling intelligence, Robin Sloan has crafted a literary adventure story for the twenty-first century, evoking both the fairy-tale charm of Haruki Murakami and the enthusiastic novel-of-ideas wizardry of Neal Stephenson or a young Umberto Eco, but with a unique and feisty sensibility that’s rare to the world of literary fiction. Mr. Penumbra’s 24-Hour Bookstore is exactly what it sounds like: an establishment you have to enter and will never want to leave, a modern-day cabinet of wonders ready to give a jolt of energy to every curious reader, no matter the time of day.

It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.

Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-second Street, and eventually to the celebrated round table of Max's Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous—the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years.

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame.

Galileo Galilei's telescopes allowed him to discover a new reality in the heavens. But for publicly declaring his astounding argument—that the earth revolves around the sun—he was accused of heresy and put under house arrest by the Holy Office of the Inquisition. Living a far different life, Galileo's daughter Virginia, a cloistered nun, proved to be her father's greatest source of strength through the difficult years of his trial and persecution.

Drawing upon the remarkable surviving letters that Virginia wrote to her father, Dava Sobel has written a fascinating history of Medici—era Italy, a mesmerizing account of Galileo's scientific discoveries and his trial by Church authorities, and a touching portrayal of a father—daughter relationship. Galileo's Daughter is a profoundly moving portrait of the man who forever changed the way we see the universe.

• Winner of the Christopher Award and a finalist for the Los Angeles Times Book Award

• Named a Notable Book of the Year by the New York Times, Entertainment Weekly, Esquire, and the American Library Association

Winner of the National Book Critics' Circle Award for Criticism.

One of the most highly regarded books of its kind, On Photography first appeared in 1977 and is described by its author as “a progress of essays about the meaning and career of photographs.” It begins with the famous “In Plato’s Cave”essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching “Brief Anthology of Quotations.”

Winner of the Julia Child Book Award

A James Beard Book Award Finalist

When Jeffrey Steingarten was appointed food critic for Vogue, he systematically set out to overcome his distaste for such things as kimchi, lard, Greek cuisine, and blue food. He succeeded at all but the last: Steingarten is "fairly sure that God meant the color blue mainly for food that has gone bad." In this impassioned, mouth-watering, and outrageously funny book, Steingarten devotes the same Zen-like discipline and gluttonous curiosity to practically everything that anyone anywhere has ever called "dinner."

Follow Steingarten as he jets off to sample choucroute in Alsace, hand-massaged beef in Japan, and the mother of all ice creams in Sicily. Sweat with him as he tries to re-create the perfect sourdough, bottle his own mineral water, and drop excess poundage at a luxury spa. Join him as he mounts a heroic—and hilarious—defense of salt, sugar, and fat (though he has some nice things to say about Olestra). Stuffed with offbeat erudition and recipes so good they ought to be illegal, The Man Who Ate Everything is a gift for anyone who loves food.

In which Daniel Waterhouse, fearless thinker and courageous Puritan, pursues knowledge in the company of the greatest minds of Baroque-era Europe — in a chaotic world where reason wars with the bloody ambitions of the mighty, and where catastrophe, natural or otherwise, can alter the political landscape overnight.